This series of paintings continues the artist’s engagement with Joseph Beuys’s Arena, a photographic installation displayed at DIA Beacon from 2016–2018. Arena documents Beuys’s performances and key objects, offering a portrait of his constructed persona. By translating these photographs into paintings, the artist creates an uncanny, layered visual space that reflects both Beuys’s mystique and their own presence through reflected self-portraits. The eleven works blur the boundaries between reality, representation, and illusion, mimicking Beuys’s framed photos within a liminal, almost purgatorial space.